Harlequin romance novels by year of publication
So if I introduce a hero or a heroine, and my hero has an uncle who may be in his 50s or 60s, who’s single, my readers will write me and say we want Uncle Joe’s story.
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But like I told them, I’m dedicated to my readers, and one thing I do, I write family sagas. So once Harlequin saw that, “Wow, she has a big following,” that’s when they signed me on as exclusive. So we decided, let’s get together every two years. So in 2005 when I celebrated my 10th year as an author, I said, “I’m going to the Bahamas, I’m taking a cruise and I’d like to invite any of my readers to come with me.” I told them what cruise company I’d gone with, and over 400 readers came with me. I invite them, because I can’t visit every city for book signings. Every two years I go somewhere with my readers. Before I became exclusive with Harlequin, I formed a relationship with my readers. When and how were you able to set up your own company? As in, were there any issues with you doing your own books while you were with a mainstream publisher? Locked In Temptation by Brenda Jackson (2017). I think one of the reasons I am successful is that I handle my writing as a business. But what I found out that was that I transferred all those skills to my writing. I liked getting dressed up, being in the boardroom and I liked managing people. I thought I’d go mad, because I was part of corporate America. I will take care of everything you need.” With this much money, we can both come home, and I will help you write. At first I was like I don’t want to stay home and write every day. So here was a company that’s offering me all this money just to come home and write. That’s what I considered my writing: for fun. And I intended to continue moving up, and just write for fun.
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I had started there at 18, and I moved up the corporate ladder there. I had already written 50 books while working in management at the State Farm insurance company, and I loved my company. I was able to retire from my day job, which I loved. In the end, it turned out to be in my favor, because the two I think were competing against each other. Martin’s and then Harlequin said they wanted me to write for them exclusively. When I first started writing for them I was also writing for St. I think after two years they offered me an exclusive contract. There were some probably who didn’t want to read black love, but by and large my book sold. They said let’s cross our fingers that it works, and it did. It shouldn’t matter if the characters were black, white, blue or whatever. My thing is, I’m presenting a love story. I think they wanted to see how I was accepted in the line. I was one of the first black Desire authors. And that’s how I started writing for them.įorged In Desire, by Brenda Jackson (2017). And I was appreciative, and they made me an exclusive contract.
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I don’t have to try to beat the door down to them. I had to chuckle a little bit at the time because Harlequin had always been my first choice to write for, and I was surprised that now they were calling me. As she explains below, with her independently published e-books, she pushes the boundaries of the characters romance writers are expected to write about. She continues to write romance books for Harlequin, but she also writes books under her own publishing company. She’s put out more books under her name than some people have ever read. The Florida-based writer has been publishing romance books since 1995. It’s been too long since we added an interview to our “ Titans of Kindle” series, so we went looking for independent e-book authors with a large following and found Brenda Jackson. He dug in a little more and realized that a sub-category in that group, African American fiction, seemed to be driving a lot of those sales. In that talk, he said that the “literary” category in e-book sales seemed surprisingly large. Creative commonsĪt this year’s Digital Book World, we heard a talk from Data Guy, half of the duo behind the website Author Earnings. It took Brenda Jackson a long time to convince the market gatekeepers that a love story is just a love story.